In the midst of hundreds he noticed hers. He noticed hers because it had a line. A line that reminded him of another line that marked an event that must have dramatically changed the life of a man he does not know except for a couple of square inches of skin just above his heart. A heart that froze for just a few moments a few years before she permanently marked the beat of a heart on her arm. And although the similarities made him notice hers in the first place, the differences now keep him busy. Hers has no flatline in between spikes. Hers is a steady beat. But is it hers? Does he want to know? Is past to be considered after all? Should a painter research his object or will it color his blanc canvas before the first stroke? Killing the potential, choking what could have been immaculately born. He needs to know because he wants to understand her, see the depths of her colors, all layers of paint, young and old. Her strokes, their strokes, the strokes she made holding and guiding their hands across the 4 dimensional painting that is her life. He wants to understand her because she needs to be the last one to paint on his canvas and the very first not to stop. Her right arm also speaks of lines. But these lines are about writing. Writing new words that fill in, complement, change, destruct or mend. Words he is familiar with. Words he sees, hears and feels. Words have always been his colors, his strokes, his melody, his light. It’s what filled the void between him first noticing that heartbeat on her left arm, and him first touching the tattooed pen on the other. A void that at one point stretched all the way to Africa, and words that were strong enough to reduce that vastness to the space between atoms that make up the ink with which they were written. And still are.
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